Danielle Drees is a scholar of contemporary performance and time-based media. 

She is Marsted Curatorial Fellow for Contemporary Art at The Wadsworth Atheneum Museum of Art in Hartford, Connecticut. Her book Sleep with Spectators: Feminist Performance and Practice is out from the University of Minnesota Press in September 2026.

Danielle's writing appears in Signs, the Journal of Dramatic Theory and Criticism, Frontiers, Performance Research, TheatreJournal, and the forthcoming edited collection Teaching Writing in Theatre and Performance Studies.

Danielle’s next project is a biography of the genderfluid 17th-century performer Mary Frith, better known as Moll Cutpurse. Danielle has produced public-facing scholarship on Moll’s world for the Dead Ladies Project and the Map of Early Modern London.

Danielle received her PhD with distinction in Theatre and Performance from Columbia University and holds degrees from Cambridge University and Harvard College. After completing a postdoctoral fellowship at Boston University, she taught at Harvard, Emerson College, and the Isabella Stewart Gardner Museum.


Write Danielle an email here.

Danielle stands in the middle of Rúrí's Glassrain, an installation made up of 500 sharp glass fragments, in Reykjavik.

Danielle in the middle of Rúrí’s installation Glassrain (1984) in the National Gallery of Iceland.